Between 1727 and 1734 Maharajah Jai Singh II of Jaipur constructed five astronomical observatories in west central India. The observatories, or “Jantar Mantars,” present us with a unique opportunity to experience the relationships between astronomy, astrology, mathematics, architecture, design, politics, religion, and art. Join the Adler Planetarium and lecturer Barry Perlus—an associate professor and associate dean at Cornell University’s College of Architecture, Art, and Planning—for a fascinating look at these historic sites. Sponsored by the Archaeological Institute of America.
The curators of Envisioning South Asia: Texts, Scholarship, Legacies cordially invite you to a workshop with: Professor Abhijit Gupta (Department of English, Jadavpur University, Kolkata and Director, Jadavpur University Press)
This workshop will examine early nineteenth century title pages as repositories of information about South Asian bibliographic and print-house practices, especially with respect to proprietorship, the rise of authorship, colophons, branding, epigraphs, traces of the manuscript book, distribution and the ecology of print-house labour. We will examine a number of representative title pages to see how such information may be gleaned. Participants may also bring to the workshop title pages of their own choosing, or from the collections of the Regenstein Library. Turning to a book without a title page, the second part of the workshop will focus on the rare copy of John Borthwick Gilchrist’s A Grammar of the Hindoostanee Language (Calcutta 1796) on display in the exhibition. As text and artefact, this exciting find raises many questions for the book historian, which we will collectively seek to answer.
Participation in this workshop is by registration only. To register please email Prof. Ulrike Stark at firstname.lastname@example.org by February 15, 2016.
Friday, February 19, 2016 - 1:00pm
Special Collections, Rosenthal Seminar Room, Regenstein Library
The public process of making and showing movies provided one of the major institutions of democratic modernity in 20th-century India. As India enters a new era of digital governance, the shift to digital filmmaking and exhibition is transforming the essentially political practices that the cinema created. Ashish Rajadhyaksha looks at Bollywood films and accompanying video games, independent cinema, and key works in experimental video in the context of these changes in India’s massive moving image industry.