We invite papers on issues related to the idea of death, which we define in its very broadest sense. Taking death literally, we can speak of the processes and events attendant to the gradual extinction of living creatures but also of languages, texts, memories, species or even traditions. Metaphorically, death can help us to think through distinct South Asian histories of violence, impasse and loss. Yet this can also enable accompanying conversations on the possibility of recovery, resurrection and redemption. We seek to explore phenomena that resist death and the sense of an ending, including practices of ritual, memory, nostalgia and revivalism.
Thursday, March 3, 2016 (All day) to Friday, March 4, 2016 (All day)
This paper will look at the change in the concepts these men used to write about emotions in Urdu between 1870 and 1920. It argues that while emotions at the beginning of the period were still thought of as premised upon notions of equilibrium and balance, which accorded a crucial role to the will and to rationality, fifty years later concepts celebrated the elementary power of emotions and their capacity to overwhelm the individual. This can be read as an indicator and at the same time as a factor of a profound emotionalization of private as well as public life.
The public process of making and showing movies provided one of the major institutions of democratic modernity in 20th-century India. As India enters a new era of digital governance, the shift to digital filmmaking and exhibition is transforming the essentially political practices that the cinema created. Ashish Rajadhyaksha looks at Bollywood films and accompanying video games, independent cinema, and key works in experimental video in the context of these changes in India’s massive moving image industry.
Dipesh Chakrabarty, the Lawrence A. Kimpton Distinguished Service Professor in History, South Asian Lan-guages and Civilizations, and the College, will focus on the Indian life of Sister Nivedita (Margaret Elizabeth Noble, b. 1867) who arrived in India in 1898 as a disciple of Swami Vivekananda and died there in 1911. Her experience of India provides fascinating material for a cross-cultural history of the land and the people she encountered.
This lecture will be dedicated to the memory of Sir Christopher A. Bayly, the inaugural Vivekananda Visiting Pro-fessor in 2014 and 2015. The Vivekananda Visiting Professorship was established to commemorate the legacy of the Hindu spiritual leader Swami Vivekananda and to enrich the University’s renowned program for the study of the Indian Subcontinent.
This event is free and open to the public. Persons with disabilities who may need assistance should contact the Office of Programs & External Relations in advance of the program at 773.753.2274 For more information, please contact Rashmi Joshi at firstname.lastname@example.org or 773.702.8635. Sponsored by the Division of Humanities, the Department of South Asian Languages and Civilizations, International House, and the Committee on Southern Asian Studies.
Wednesday, May 27, 2015 - 6:00pm
International House Assembly Hall 1414 E. 59th Street
Join us for a Nicholson Faculty Lecture by Rochona Majumdar, Associate Professor, Department of Cinema and Media Studies and the Department of South Asian Languages and Civilizations titled "Cinema and the Era of Decolonization: India, 1947-1964".
Chicago-based flautist and bansuri musician Lyon Leifer will demonstrate and discuss his experience as a teacher and performer working in the nexus of the Indian bansuri and Western classical flute traditions. The workshop is free and open to all; no experience is necessary. Contact Ameera Nimjee (email@example.com) for more information.
Workshop led by Dipesh Chakrabarty, Lawrence A. Kimpton Distinguished Service Professor of History and South Asian Languages and Civilizations at the University of Chicago. Event is free and open to the public.